However, I think this experience of being cut short might be contingent on the kind of critical, active listening that one tends to employ when a Bandcamp release is marketed as experimental and critical. Just as it has settled itself in, it already fades out, creating a feeling of being cut shorta rare experience in a world of 23-track streaming albums where you often want less of whatever you are listening to. Many of the tracks sound like the artist wrote a full-length track and then rendered out a random thirty second sectionalthough perhaps that is the point Take Laurie Spiegels wonderfully crystalline and utopian space opera Fly By, which ends in an abrupt and unsatisfying manner. Launch the Waves Central application on the system where your licenses are activated: Windows: via the desktop shortcut or Start Menu > All Programs > Waves Central. But while a sub three-second framework requires a total rethinking of compositional time, thirty seconds end up feeling neither here nor there. The press text even mentions Eno's infamous Windows 95 micro-composition.

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